In part four of our vocal recording series, we talked about using compression and EQ as channel insert effects. In this entry and video, we’ll show how to add chorus and reverb using send tracks, then automate vocal levels for the final mix.
In this entry we’ll talk about using compression and EQ to maximize vocal quality and punch.
Following our last installment, we’ll assume you’ve successfully recorded tracks with your vocalist. Now we’ll take the next step and edit the takes inside Mixcraft. In all likelihood, you’ve recorded more than one take of the performance, so we’ll need to go through them and edit the best parts into a single continuous performance.
In our last entry, we talked about the gear needed to record pro—sounding vocals. This time around, we’ll talk about the recording environment. The two most important factors here are having a space that’s relatively quiet and sounds good.
Recording and mixing vocals is possibly the most important part of pop and rock music production, so it pays to get it right. In this entry, we’ll offer some tips on each component of the vocal chain.
Creating Multitracked Stacked Vocals with Mixcraft
By Mitchell Sigman
Ever wonder how to get huge, lush-sounding backing vocals? I used to think the secret was simply being a stellar vocal talent, but fortunately, that’s not the case. The real secret is mainly just stacking a lot of tracks for a smooth, “homogeneous” sound. And as you’ll see, you don’t even have to be a great singer.
Sing A Song.
By Mitchell Sigman
Hot on the heels of my epic keyboard post last week, this time I’ll explain how I tracked and mixed the vocals for my toe-tappin’ ditty, “Intermission”.